It knew the places it could go, but it didn’t have the irony or the wit or the bite or the humor of the show. [...] And if you asked it to do it again, you’d have to keep giving it human prompts to guide it to where, and I don’t even think Jesse Armstrong could guide it, to tell you the truth. [...] But the art, the artistry of that, what makes it art, I know the facts, I under- stand the data, but how it goes through the process of the interaction with that mysterious power of creation is what can’t be defined to me, that’s the X factor. [...] Reset this from Los Angeles to Omaha”, it could do stuff like that, which would do a lot of the heavy lifting, but you’re still gonna need the human to go in and weave it all together and I’ll guarantee you that the parts that then transcend expectation of what it could be, the person who does that won’t be able to tell you where it came from. [...] Yeah, so I do think it’s gonna require the humans who make the decisions to look at the data from algorithms and look at what’s been successful in the past and then hopefully take more risks for things that are just so unique and unusual because I think that’s the only way you can create a phenomenon.
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