cover image: The Democratic Promise of Globalized Film and Television

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The Democratic Promise of Globalized Film and Television

3 Oct 2024

Bluey is an Australian children's show featuring a family of anthropomorphized cattle dogs. It is also a global phenomenon. Since the show was added to Disney+, Americans have spent a collective 32.82 billion minutes watching the Heeler family's gentle parenting. That is several billion more minutes than the total viewing time for the record-breaking 2024 Super Bowl. The show, meant for preschoolers, is currently ranked 14 on the Internet Movie Database's (IMDB) list of the top 250 shows ever made, with an average user score as high as feted shows like Band of Brothers and The Wire. This would have been unlikely in a pre-digital era, when an aspiring animator would have had to relocate to Hollywood and punch the clock for an American studio that could afford to produce expensive, animated shows. But the creator of Bluey, Joe Brumm, worked out of a small studio in Brisbane, Australia. In global film and television industry terms, this was a backwater of a backwater. Yet the Down Under success of Bluey attracted Disney, which acquired its global streaming rights--worth an estimated $2 billion. Disney was merely attempting to keep pace with Netflix, which, as of 2024, spends more on foreign-made movies and TV shows than it does on all North American productions combined.

Authors

Paul Matzko

Pages
13
Published in
United States of America

Table of Contents