Opening with an invocatory verse in raga Yaman, he proceeded with the story and lamented the bereavement ■ MANJARI SINHA Awadh in Film culture and generosity of spirit, through the story of two pleasant, decadent, chess-loving aristocrats who are unable to grasp the tragedy and the loss of their impending FILM FESTIVAL: independence to the British, because of their addiction to a Filmi Duniya Mein. [...] He said the contents greatly appealed to the The launch of the Autumn issue of the IIC Quarterly was discerning reader. [...] The three, Ila took up the role of the Sutradhar, allowing Raina to Dharamvir, Kanta and Pushpa, took a vow on the banks dramatise the play; unsuccessfully, though, because the of the Ganges to always remain inseparable. [...] of the play, Kanta, his first wife, and the third arm of the However, the visuals projected on the cyclorama were triangle, was largely ignored. [...] From its assortment of breads to Notable to the Kannadiga meal were the array of the antipasti and salads, the minestrone flavoured with vegetables, chutneys and breads (a sorghum bread, neer tomato and basil, and, the main courses of risotto, stewed dosa, appam and Malabar paratha).
- Pages
- 12
- Published in
- India
